Thursday, May 28, 2009

The power of the deferral to expertise and what it says about human nature

Over the past few days, I've immersed myself into the world and psychology of art forgery. No, I have not retreated to my attic with some 17th century canvases and vintage pigments in hopes of turning out Old Masters, a la Charles Bouchet in How to Steal a Million. Nor have I followed in the steps of renowned English forger, John Myatt, who's "Monets," "Miros," and "Rembrants" earned him a reputation as a lovable art crook.

Fresh from a class on the physics of light and the chemistry of art, I picked up a rather interesting book at the library entitled The Forger's Spell by Edward Dolnick, published in 2008. The book interested me on three main accounts: first, it was about a forger of Vermeer, my favourite artist; second, it was an history set in Nazi Europe, a subject in which I have particular interest; third and finally, it detailed the compelling story of one of the most notorious and (oddly) successful art forgers in history, Han van Meegeren, a Dutch artist of little renown who sent the highest echelons of Holland's art world into a spin in the 1940s.

Dolnick narrates the story with ease and tact, weaving from van Meegeren's arrest as a suspected supporter of the Dutch Nazi party in 1945, through his painstaking measures to produce a veritable "17th century Vermeer" (he completed 7 "Vermeers," all which sold for astronomical prices to a willing audience. "Christ with the Woman Taken in Adultery" sold to the Nazis' second-after-Hitler, Herman Goering, who acquired it in exchange for 173 priceless paintings), the startling approbation of art critics and laypeople all over the world, and, finally, in van Meegeren's trial and conviction as a "genius" of a forger.


A Vermeer? Um, apparently.

I was both surprised and intrigued to see that The New York Times ran two articles on the van Meegeren scandal this week. I have posted links to parts one and two of the articles below:

http://morris.blogs.nytimes.com/2009/05/27/bamboozling-ourselves-part-1/?scp=3&sq=van%20meegeren&st=cse

http://morris.blogs.nytimes.com/2009/05/28/bamboozling-ourselves-part-2/

All the best experts looked at these paintings and almost all of them fell, and fell hard, for what even the most naive art student would immediately identify as poor effigies of Vermeers, compared to Girl with a Pearl Earring or The Milkmaid. They cried, "Masterpiece!," "Astounding!", "the triumph of Vermeer's career and the most sincere outpouring of his soul!" And everyone followed suit. There were no tests conducted, no questions asked (save, how much?), and van Meegeren got caught only when he turned himself in (even that went over badly. The officials scoffed at him for daring to claim that he could paint a masterpiece that only Vermeer's rare skill could execute). In short, he got them.
And he got them good.

What does this say about human nature?

Well, first of all we are often trapped in our deferral to expertise. If an "expert" says something, chances are we will believe them. Second, we believe what we want to believe. If you find a priceless work of art, you want to believe it's real. In the words of Edward Dolnick in his interview with The Times,

"How could it be that when you’re going to lay out $10 million for a painting, you don’t test it beforehand? And the answer is that you don’t test it because, at the point of being about to buy it, you’re in love! You’ve found something. It’s going to be the high mark of your collection; it’s going to be the making of you as a collector. You finally found this great thing. It’s available, and you want it. You want it to be real. You don’t want to have someone let you down by telling you that the painting isn’t what you think it is. It’s like being newly in love. Everything is candlelight and wine. Nobody hires a private detective at that point. It’s only years down the road when things have gone wrong that you say, “What was I thinking? What’s going on here?” The collector and the forger are in cahoots. The forger wants the collector to snap it up, and the collector wants it to be real."

Third, this is a cautionary tale about the value of a name. People love brands. They love big names. They love celebrities. It's a central part of human nature. When van Meegeren introduced his most successful forgery, "Christ at Emmaus" under his name, people scoffed and called it "sentimental," insipid, and lacking in depth. When he presented it as a Vermeer, it was hailed as the masterpiece of Vermeer's career. Is it any surprise that Han van Meegeren was bitter? What a slap in the face! To be rejected as yourself but hailed as someone else!

Just something to think about...

Friday, May 22, 2009

The Tyranny of the Majority and Why the World Needs a Wake-Up Call-------Part One


America's got problems. Lots of them. Particularly the loathness of its citizens to break away from the fold and voice their opinions.

The generalized sense of American apathy is not, by any means, a recent development. Political theorist, Alexis de Tocqueville warned of the negative effects of American democratic equality, saying that it reduces everyone to a state of commom mediocrity. John Stuart Mill hits the nail on the head when he speaks of the tyranny of prevailing thought and opinion that stifles free exression and diversion from the norm in society.

John Stuart Mill, in his treatise On Liberty, speaks of the importance of human diversity and individuality, which he posits as the foundations for a truly just and effective society. In spite of their obvious and manifold benefits, Mill argues that certain modern tendencies and conditions endanger the very existence of human individuality and diversity of thought and practice, which form the backbone of our intellectual and political culture. The potential loss of human individuality and diversity threatens to cultivate a “tyranny of the majority” in a society that “is itself the tyrant…over the individuals who compose it” (Mill, 4). In order to counter modern society’s spiraling downfall into “the despotism of custom” (Mill, 67), Mill suggests the promotion of eccentricity and various “experiments in living” (Mill, 54) amongst individuals.

As progressive beings, capable of rationalization and reflection, individuals have the opportunity to express ideas, debate concepts, and, through their dissension, discover and defend truths in order to foster justice in society. Vigorous debate and “intelligent deviation” (Mill, 57) from the norm not only require individuals to question, reconsider, and prove their beliefs in order to find the truth, but also to foster the self-development of the individual. A society that encourages debate and dissension engenders true freedom of thought and expression.

Modern society, however, threatens to dismantle Mill’s ideal system of debate and “intelligent deviation,” in favor of the tyranny of the majority of “prevailing thought and feeling” (Mill, 4). In On Liberty, Mill addresses the major problem of the “effect of custom” (Mill, 5). The tyranny in modern society is not necessarily political or cultural, but manifests itself in the domination of “prevailing thought and feeling” (Mill, 4), that shapes individuals and that can stifle individuality. Under the influence of the prevailing opinions in society, individuals, in an effort to conform to society’s standards of right and wrong, lose their individuality and become servile and apathetic. Whereas individuals in Mill’s ideal society concern themselves with the search for truth and justice through debate and discussion, modern individuals—if, indeed, Mill would even call them that—occupy themselves with conforming to a pre-determined and unquestioned societal mould. Such a society imperils freedom through the deadening force of stagnancy and imitation.

Advertising and pop-art and their effects upon the consumer are manifestations of the negative effects of modernity upon society and the individual. In “From Hero to Celebrity: A Human Pseudo-Event,” Daniel Boorstin discusses the redefinition of fame and the hero in modern society. A modern celebrity, he argues, “is someone who is known for his well-knownness;” “his qualities—or rather his lack of qualities—illustrate our particular problems. He is neither good nor bad, great nor petty. He is the human psycho-event” (Boorstin, 57). Whereas celebrities and heroes in previous years were noted for their heroic qualities, merit, intellect, or admirable deeds, celebrities are famous simply for their fame. Celebrities are the “receptacles into which we pour our own purposelessness” (Boorstin, 60). Pop-art and advertisements are the children of modern society as a machine which produces multiple images of itself, in hopes of trying to banish ironic frustrations and fill a void that yearns for individuals who can fit the extravagant expectations of human greatness (Boorstin, 76). This need transforms into an unending discourse on the self and on the different elements of society, a monologue of self-reverence and self- reference. In a similar vein, Guy Debord's "Society of the Spectacle" speaks of the spectacle as that which lies in “the world’s loss of unity” and which becomes the common language “that bridges this division” (Debord, 22). The divisions united by the spectacle are the world and the (superior) self-representation held up to the world. The spectators make up the “world” category and are united in their isolation by the common thread of the spectacle, but still remain isolated on account of the nature of the modern society. The individuals who have seen and shared the experience of a spectacle, which I would like to define not only as an event but as an image or any work of “art,” are united in their common experience or recognition, and in their shared alienation from the object.

Thus, due to a lack of communication, useful dissent, and active debate in society individuals are both united in their ignorance and inability to break from the prevailing tyranny of opinion, and also isolated in their massification on account of a lack of communication and social engagement.

Mill speaks of the importance of active participation in society, which is the only way for the individual to gain ground against the tyranny of the majority. Under the yoke of “dull and torpid assent” (Mill, 39), individuality and diversity disappear or are stamped out by a prevailing school of thought that discourages dissent, which it deems dangerous to the social fabric. Often times the prevailing opinion in society, as a mere consequence of it being established, has not been questioned for a long period of time and has thus been banished into Mill’s realm of dead dogmas. Thus, members of the society’s majority refuse to pay heed to dissent “because they are sure that it is false [and] assume that their certainty is the same thing as absolute certainty” (Mill, 17). As Mill clarifies, “there is the greatest difference between presuming an opinion to be true because, with every opportunity for contesting it, it has not been refuted and assuming its truth for the truth of not permitting its refutation” (Mill, 18). In this way, the accepted mores in a fixed society become specters of their former selves because they remain unquestioned. “Instead of a vivid conception and a living belief,” we learn, “there remain only a few phrases retained by rote [of social beliefs]; or, if any part, the shell and the husk only of the meaning is retained, the finer essence being lost” (Mill, 38). Modern society operates according to a system of outdated and unquestioned beliefs that, because they have not been examined and reevaluated, have lost any value or meaning for individuals and that have become no more than empty words upon which we have built our society and our system of mores.

Because individuals in a static society are not encouraged to question the system, they fall into a fixed and unevaluated pattern of thought and behavior which stems from society’s influence and denial of minority opinions. Modern society’s discouragement of the questioning of its tenets and principles creates indifference and apathy in individuals. Rather than being inquisitive and finding their own path, individuals become part of society’s collective mediocrity, which Mill refers to as “the ascendant power among mankind” (Mill, 63). Instead of diverse forms of human association, members of society, because they fail to challenge public opinion, fall into “‘the deep slumber of a decided opinion’” (Mill, 41). Governments play upon the massification of individuals and act as organs of the tendencies of the masses. Once this state of intellectual and political stupor has been established, individuals lose their ability to self-actualize and are reduced to “ape-like” imitation (Mill, 56).

In order to counter the dangerous effects of massification, Mill proposes the remedy of unfettered freedom of thought and expression, including the nurturing of eccentricity and the formation of “experiments of living,” to encourage and preserve individuality and diversity, for “no one’s idea of excellence in conduct is that people should do absolutely nothing but copy one another” (Mill, 55). Individuals, Mill asserts, must be willing to question the authority of decided opinions and to reexamine their beliefs and practices in order to reach the greatest good and utility for the society at large. Mill’s “experiments of living” form the backbone in his plan for a healthy society, for “as it is useful that while mankind is imperfect there should be different opinions, so is it that there should be different experiments of living; that free scope should be given to varieties of character…and that the worth of different modes of life should be proved practically” (Mill, 54). Mill places great importance on the practical and utilitarian aspects of different approaches, for it is only through alternative forms of association that we can sufficiently examine the tenets we hold dear in society. In addition to sampling various ideologies and ways of life in hopes of finding the true and just path, Mill also advocates trust in reason and logic. People, he says, “should exercise their understandings, and [realize] that an intelligent following of custom, or even occasionally an intelligent deviation from custom, is better than a blind and simply mechanical adhesion to it” (Mill, 57). Individuals must be willing to follow where reason and study lead them, in spite of the potential consequences they might have to endure on account of society’s disapproval. The interpretation of experience through mature human rational faculties allows individuals to free themselves from society’s overweening influence and to progress as free-thinking beings. It is a citizen’s duty to be an active participant in society, a role which requires an individual to know and be able to justify not merely the nuances and intricacies of his own belief, but also the opinions of his opponents, so that he may arrive at the greatest good for society.

Mill attaches such great importance to individuality because it acts as the check on prevailing opinions and the effects of custom, which he sees as threats to individual liberty and self-realization. The vivifying influence of diversity frees the minds of individuals and allows them to be better educated and more valuable participants in society. Freed from the yoke of blind adhesion to a school of thought and a general state of mental apathy, the mind is allowed to flourish and to seek the just and the true. This is why, Mill asserts, citizens should be active and constantly strive to find the better option for their society. In this way, both the individual and the society benefit from the fruits of rational deduction and the careful reassessment of mores and ideals.

Tuesday, May 19, 2009

I have this playlist on repeat :)

The other day as I was sitting on my couch trying to cope with my extraordinarily low rate of productivity after two weeks of exams and marathon paper-writing, I decided to make a summer playlist. Some of the songs remind me of summer, some just seem appropriate, others are just things that I like listening to and have added to every playlist. The playlist is entitled “Summer in the City—Cleavage, Cleavage, Cleavage,” a tribute to Regina Spektor’s “Summer in the City” (on the list!) and I will have it playing on loop until I get tired of it. So there!

2.99 Cent Blues— Regina Spektor
All My Loving—The Beatles
Ask—The Smiths
Back of a Truck—Regina Spektor
Beautiful Child—Rufus Wainwright
Beautiful Day—U2
Better— Regina Spektor
Black Horse and the Cherry Tree—K.T. Turnstall
The Boy with a Thorn in His Side—The Smiths
Cable Car—The Fray
Changes—David Bowie
China Girl—David Bowie
Come Back from San Francisco—The Magnetic Fields
Dancing Queen--ABBA
Death and All His Friends—Coldplay
The District Sleeps Alone Tonight—The Postal Service
Does Your Mother Know That You’re Out—ABBA
Don’t Stop Believin’ –Journey
Fidelity— Regina Spektor
Five Years—David Bowie
Flyin’—Regina Spektor
Folding Chair—Regina Spektor
Friday I’m in Love—The Cure
Gimme, gimme, gimme!—ABBA
Grace Kelly—Mika
Greek Song—Rufus Wainwright
Heroes—David Bowie
Honey, Honey—ABBA
I Believe—Spring Awakening
I’m Gonna Be (500 Miles)—The Proclaimers
I’m Yours—Jason Mraz
In Your Eyes—Peter Gabriel
Jack and Diane—John Cougar
Just Like Heaven—The Cure
The Kid—Peter, Paul, and Mary
Knees of My Heart—Jimmy Buffet
Knock ‘Em Out—Lily Allen
La lettre—Renan Luce
Language—Scott Matthews
Lay All Your Love on Me—ABBA
Les Voisines—Renan Luce
Let’s Dance—David Bowie
Letter to Hermione—David Bowie
Like a Prayer—Madonna
Livin’ on a Prayer—Bon Jovi
Lollipop--Mika
Love is Strange—Mickey and Sylvia
Love Story—Taylor Swift
Mamma Mia--ABBA
Mercy—Duffy
My Junk—Spring Awakening
Mysterious Ways—U2
Neighborhood #1—The Arcade Fire
On the Radio— Regina Spektor
One Two Three Four—Feist
Our Last Summer—ABBA
Rebel Rebel—David Bowie
Release the Stars—Rufus Wainwright
The Remedy—Jason Mraz
Rock and Roll Suicide—David Bowie
Rum and Coca-Cola—The Andrews Sisters
The Scientist—Coldplay
She Is—The Fray
Soda Shop—Jay Brannan
Something in the Air—David Bowie
Sometimes You Can’t Make it on Your Own—U2
The Song of Purple Summer—Spring Awakening
SOS—ABBA
Strawberry Swing—Coldplay
Summer in the City—Regina Spektor
Super Trouper—ABBA
Take a Chance on Me—ABBA
That’s Not My Name—The Tings Tings
Under Pressure—David Bowie
Vertigo—U2
Wandering Days Are Over—Belle and Sebastian
We Are the Dead—David Bowie
You Don’t Know Me—Ben Folds and Regina Spektor

Sunday, May 17, 2009

I have actually resolved to update this every other day for the summer! Woo!

I think I might finally be getting into the groove of summer after the stress of final exams and moving out, which was more tedious and time consuming than I would have hoped. Let’s just put it this way: I did not sleep the night before moving out, my parents were late, we have a very small car, and I was sure that I had done more packing than I actually had. If that doesn’t sound like a recipe for disaster, I don’t know what does. Well, after exactly 48 hours, I had all my stuff cluttering the living room and the unpacking began so that we could put things into storage. Thankfully, I have managed to find the majority of my belongings and I can now see the floor once more. Truly a momentous achievement!

I celebrated the end of exams and the banishment of my boxes with a long-overdue trip to the Met with Alex. We must have wandered through the labyrinthine galleries for about 4 and half hours. Step one was to throw away the floor plan and get lost, starting with Greek and Roman Galleries, followed by the Modern, European Paintings, Egyptian, American, Storage, and concluding in the newly- and beautifully-renovated Medieval Wing. It suffices to say that after being cooped up indoors writing papers for 2 weeks, we were both exhausted by the end of the day.

Now, being the migratory creature that I am, I am up in the Green Mountains readjusting to the decidedly cooler temperatures (it’s supposed to freeze tonight) and bucolic atmosphere. I have yet to find a job—a task which I had not anticipated on account of my belief that I’d be studying abroad for the summer. We’ll see what happens. Right now, I’m just biding my time and spending lots of time in my garden, weather-permitting, and my extensive and self-assigned summer reading list.

All in all, life is pretty good. It’s nice and quiet up here, Vermont has no cases of swine flu, the weather is gorgeous, and I’m free to do as I please. Granted I am rather lonely, being used to the constant swirl of people at school and not having any friends my own age up here. However, I’ve been using this time to rediscover the little pleasures in life. I bought myself some peach-infused black tea and teddy grahams (which are very exciting indeed, especially when paired together), I’ve been biking every day, I’m hoping to start doing yoga again, I finished some great books, I’m going to start writing my column and stories any day now, I have a list of people who I am resolved to write and send letters to, and I’m slowly but surely planning and executing my garden for the year. A new thrift shop opened up in the village, which I am terribly excited to check out. In addition, I found this fantastic new CD of Celtic music (yes, I’m crazy. I know) with an interesting mix of techno, Riverdance-esque rhythms, and traditional bagpipe and flute airs. It’s basically amazing and I’ll be playing it on loop. I have also resolved to actually keep this blog updated with both my mundane daily activities and my musings regarding art, philosophy, politics, etc which might prove interesting to those who prove patient enough to read them. So, stay tuned...

Summer Reading for 2009

Once again, in an effort to feel useful over the course of the summer months, I have come up with a tentative reading list to keep me occupied and my mind from becoming a ball of mush. (Only an honors student would be mentally unstable enough to assign herself work…good Lord). Depending on my mood and time constraints, this list will in evitably change but since I enjoy the fun of making lists, why not give it a shot early?

Extremely Loud and Incredibly Close by Jonathan Safran Foer
I read Everything is Illuminated last summer and enjoyed it a great deal. I had meant to read this book for about a year so I finally stole it from Marisa and got it done. It was very good, in spite of my not being used to the post-modernist writing style. However, I admit that I was disappointed; I felt like the end was a cop-out and that nothing had really progressed. I’d recommend it, though. Maybe I missed something along the way…

Neverwhere by Neil Gaiman
I recently discovered the work of Neil Gaiman on the recommendation of a good friend who lent me Fragile Things. I read American Gods and Coraline a few weeks ago and, being captivated by his work and talent, have decided to read through his other things. I actually finished this last night and liked it a great deal. Lots of good and surprising plot twists!

Tom Jones by Henry Fielding
I’m curious. I want to live vicariously through one of the so-called lewdest books in the history of literature. Judge me. I don’t care.

Kim by Rudyard Kipling
Another thing I always meant to get to but never did. I feel like after my history class from this past semester, I will be much more interested in the mentality / portrayal of British Imperialism.

Mary Barton by Elizabeth Gaskell
I picked this up at a library trash sale last summer and never got around to reading it. I read Wives and Daughters and Cranford last summer and loved both, so I am sure this will not disappoint.

Emma by Jane Austen
It’s disgraceful that I haven’t read this yet. I’m a terrible person.

Death in Venice and Other Stories by Thomas Mann
My lit class read “Tonio Kroger” this past semester, which I enjoyed immensely. I might as well red the other 6 stories in the book…

Out of Africa by Karen Blixen
The book that inspired the film Out of Africa, this is another book I have meant to read forever. I started it a few months ago and loved it so I need to get back to it.

Twelfth Night by William Shakespeare
This is the only book that I actually have to read this summer. I have to abridge it for TOP by the fall and it would probably be a good idea if I were to read it beforehand. I’ve seen a modern (and frankly awful) production of it, but I never got around to reading it. Guess I will now.

This is just the bare bones list of what I'll probably end up reading, but it's a start!